1450-1499Europe

Medieval music

A historically grounded medieval-music entry focused on the surviving European sacred and courtly repertories, with examples chosen from verified artist and recording pages.

Medieval music music guide

Origins and context

Documented medieval repertories come from Christian liturgical settings and secular courtly traditions in medieval Europe; surviving sources emphasize chant, early polyphony, and later notated art music. (archive.ph)

Europe

The sound

Instrument palette

The voices and tools most associated with this sound.

  • Lute
  • Harp
  • Recorder
  • Rebec
  • Shawm

History

Medieval music refers to the music of Europe in roughly the Middle Ages, spanning from the early post-Roman centuries to the late 15th century. In the surviving written record, early sacred repertories such as Gregorian chant stand at the center, and later medieval practice expands into richer polyphony; Britannica notes that Gregorian chant also fed much of the polyphonic music of the Middle Ages and Renaissance. (archive.ph) The story of the genre is really a story of notation, institutions, and practice becoming more visible over time. As courtly and liturgical traditions developed, composers such as Hildegard von Bingen and Guillaume de Machaut became key figures in the documented repertory, while instruments associated with the era include the lute, harp, recorder, rebec, shawm, and related types.

Notable artists

Medieval music
  • HVHildegard von Bingen
  • GDGuillaume de Machaut
  • PPérotin

Essential listening

  1. 1

    Hildegard von Bingen

  2. 2

    Guillaume de Machaut

  3. 3

    Messe de Notre Dame: I. Kyrie

    Guillaume de Machaut; The Hilliard Ensemble

  4. 4

    O frondens virga

    Hildegard von Bingen; The Choir of King's College London; Joseph Fort

Sources and further reading