Lunar Boom Learning

2.5 · Licensing, Consent, and Provenance

Section 2.5 of 2.5

Licensing, Consent, and Provenance

Keeping a clear record of where training data came from

Learn how composition rights, recording rights, licences, consent, and provenance records fit into a responsible music-data pipeline.

About 11 minutes

Guiding question

Which separate rights and permissions may apply to one music recording?

By the end, you’ll be able to
  • Distinguish rights in a musical composition from rights in a particular sound recording.
  • Explain why a licence, contributor agreement, and consent record answer different questions.
  • Identify the main restrictions that should be checked before data enters a training pipeline.
  • Explain how provenance links an original asset to every processed training example.
  • Recognise when a record should be approved, quarantined, rejected, or sent for legal review.

A music file can be technically perfect and still be unsuitable for a training dataset.

The pipeline may need to answer several separate questions. Who controls the musical composition? Who controls the sound recording? Did the contributor have authority to provide it? Are performers or other people represented in the recording? Which licence or agreement applies? Does it permit the intended commercial, research, redistribution, or model-development use?

These questions cannot be answered from the waveform alone. They need documentation. That documentation becomes part of the dataset, just like the audio, captions, and tags.

One recording can involve several layers

Swipe sideways to view the full comparison

LayerWhat it concernsPossible evidence
Musical compositionThe music and lyrics underlying the performancePublishing agreement, composer declaration, public-domain research, or composition licence
Sound recordingThe fixed recording of a particular performanceMaster-use licence, label agreement, owner declaration, or recording-specific licence
Performance and contributor permissionPermission from performers or contributors where relevantPerformer release, contributor agreement, session contract, or collective agreement
Privacy, publicity, or personality interestsRights or legal interests connected with identifiable people, names, or voicesRelease, consent record, privacy assessment, or jurisdiction-specific legal basis
Dataset and annotation rightsRights in the database, metadata, captions, labels, or compiled datasetDataset licence, terms of use, annotation agreement, or database-rights notice
Contract and platform restrictionsPromises or limits created by agreements and access termsPlatform terms, API contract, data supplier agreement, or access policy

The composition and recording are separate

A song and a recording of that song are not the same copyright work. The musical composition covers the underlying music and lyrics. The sound recording covers a particular fixed performance.

This means one audio file can involve different owners and permissions. A songwriter or publisher may control the composition, while an artist, producer, label, or another party may control the master recording.

A pipeline should therefore avoid one vague field called copyright. Store the composition and recording status separately.

In practice

Public-domain composition, modern recording

A composition may be in the public domain while a recent recording of it remains separately protected. A training policy must check the recording itself rather than assuming that the age of the song clears every audio file.

Questions to ask about a licence

  1. What exactly is licensed?

    Check whether the terms cover the audio, composition, metadata, annotations, dataset compilation, or only some of them.

  2. Who granted the permission?

    Record the licensor and the evidence that they control or can authorise the relevant rights.

  3. Which uses are allowed?

    Separate research, commercial training, evaluation, fine-tuning, redistribution, publication, and output use.

  4. Which conditions apply?

    Check attribution, noncommercial limits, share-alike terms, access controls, reporting duties, and other restrictions.

  5. Where and for how long?

    Record territory, start date, end date, renewal, withdrawal, and termination terms when relevant.

  6. What is still unclear?

    Do not convert uncertainty into an approval. Flag the record for review.

Creative Commons still requires careful reading

Creative Commons licences use standard elements such as attribution, noncommercial use, share alike, and no derivatives. The exact combination matters.

The relationship between copyright licences and AI training is legally complex. Creative Commons published separate guidance because copyright laws and exceptions vary between countries and uses. A conservative project may choose to follow licence conditions even where the legal requirement is uncertain.

The technical lesson is simple: store the exact licence name, version, URL, attribution information, and the policy decision made for the intended use. Do not reduce every Creative Commons record to a field that only says open.

Common Creative Commons checks

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ElementPlain-language questionPipeline response
BYWhat credit and source information must be preserved?Store creator, title, licence, source URL, and required attribution text
NCDoes the intended use fall within a noncommercial restriction?Block automatic commercial approval and request policy or legal review
SACould share-alike duties affect distributed adaptations, models, data, or outputs under the chosen legal approach?Record the issue and obtain project-specific review before distribution
NDDoes the planned processing or distribution conflict with no-derivatives terms under the applicable interpretation?Do not guess. Send the planned acts and distribution model for review
CC0 or public-domain toolDoes the tool cover the relevant asset and are third-party rights still present?Preserve the declaration and continue checking recording, performer, privacy, and third-party material

In practice

Real dataset example: MAESTRO

The official MAESTRO page states that the dataset is available under CC BY-NC-SA 4.0. A pipeline designed for commercial model development should not treat the word `Creative Commons` as automatic approval. It should record the noncommercial and share-alike elements and apply its commercial-use policy.

Consent is not the same as a copyright licence

A licence addresses specified rights in a work. Consent records a person's agreement to a defined activity. The two can overlap, but neither automatically replaces the other.

For example, a producer may control a recording but may not have permission to authorise every use of a guest vocalist's identity or voice. Creative Commons notes that third-party privacy, publicity, and personality rights are not automatically cleared by another person's application of a CC licence.

A creator opt-in system should therefore ask what the contributor controls, which people appear in the asset, and whether additional releases or legal bases are needed.

Provenance connects the evidence to the data

Data provenance records where an item came from, who or what handled it, and which activities changed it.

For music data, provenance can link a processed training segment back to the original recording, source URL, supplier, agreement, licence snapshot, ingestion event, cleaning operations, captioning process, and dataset version.

W3C PROV describes provenance through entities, activities, and agents. MLCommons Croissant can use PROV-O relationships such as wasDerivedFrom, wasGeneratedBy, and wasAttributedTo at dataset, file, record, field, or value level.

Three useful provenance relationships

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RelationshipMeaningMusic-data example
wasDerivedFromOne item came from another itemA mono 32 kHz segment came from the original stereo master
wasGeneratedByAn activity created or changed an itemThe segment was generated by cleaning pipeline version 2.1
wasAttributedToA person, organisation, or system was responsibleThe caption was written by an annotator or generated by a named model version

Why provenance starts at ingestion

  1. Sources can change

    A URL, account, licence notice, or platform page may later disappear or be updated.

  2. Files lose context

    A copied audio file does not preserve who supplied it or which agreement covered it.

  3. Processing creates descendants

    One original can produce stems, crops, embeddings, captions, and token files.

  4. Rights decisions may change

    A later policy update, dispute, withdrawal, or expiry must reach every derived record.

  5. Audits need evidence

    A team cannot reproduce a decision when the licence, contributor statement, and processing history were never stored.

Useful pipeline decisions

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StatusMeaningTypical next step
ApprovedRequired evidence is present and the intended use matches policyAllow the record into the specified pipeline
RestrictedThe asset is usable only for stated purposes, products, or environmentsApply technical access and use controls
Review requiredEvidence exists but the interpretation or authority is uncertainSend the record and evidence to the correct reviewer
QuarantinedRequired evidence is missing, conflicting, or under disputeKeep it out of training while preserving the source and issue log
RejectedThe intended use clearly fails the project's policyExclude it and record the reason
Withdrawn or expiredPermission ended or the agreement changedApply the documented removal, retraining, or future-use process
music-rights-and-provenance-record.json · A simplified record that separates rights evidence, consent, policy decisions, and technical lineage.

Swipe sideways to view code

{
  "assetId": "recording-0042",
  "source": {
    "url": "https://example.org/assets/recording-0042.wav",
    "collectedAt": "2026-07-22T14:30:00Z",
    "supplierId": "creator-018",
    "sourceType": "creator-upload",
    "originalSha256": "7c2f...9ab1"
  },
  "composition": {
    "status": "creator-controlled",
    "rightsholders": ["creator-018"],
    "evidenceIds": ["agreement-771"]
  },
  "soundRecording": {
    "status": "creator-controlled",
    "rightsholders": ["creator-018"],
    "evidenceIds": ["agreement-771"]
  },
  "contributors": [
    {
      "contributorId": "creator-018",
      "role": "performer-producer",
      "permissionEvidenceId": "agreement-771"
    }
  ],
  "licence": {
    "type": "custom-ai-training-agreement",
    "version": "2.0",
    "commercialTraining": true,
    "redistribution": false,
    "attributionRequired": true,
    "startsAt": "2026-07-22",
    "endsAt": null
  },
  "consent": {
    "basis": "contributor-agreement",
    "scope": ["training", "evaluation", "commercial-model-use"],
    "withdrawalProcedureId": "withdrawal-policy-v2"
  },
  "provenance": {
    "wasDerivedFrom": "recording-0042-original",
    "wasGeneratedBy": ["resample-32khz-v3", "segment-30s-v2"],
    "wasAttributedTo": ["creator-018", "ingestion-service-v4"]
  },
  "policyDecision": {
    "policyVersion": "commercial-music-training-v3",
    "status": "approved",
    "decidedAt": "2026-07-22T15:10:00Z",
    "reasonCodes": ["recording-cleared", "composition-cleared", "contributor-authorised"]
  }
}

Check your understanding

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Test whether you can separate music rights, evaluate licence evidence, and design a traceable ingestion record.

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Sources for this lesson (10)
  1. Copyright Registration of Musical Compositions and Sound Recordings — U.S. Copyright Office (2020)
  2. Copyright and Artificial Intelligence, Part 3: Generative AI Training — U.S. Copyright Office (2025)
  3. Using CC-Licensed Works for AI Training — Creative Commons (2025)
  4. About CC Licenses — Creative Commons
  5. Creative Commons Frequently Asked Questions — Creative Commons (2025)
  6. PROV-O: The PROV Ontology — W3C Provenance Working Group (2013)
  7. Croissant Format Specification 1.1 — MLCommons Croissant Working Group (2026)
  8. The MAESTRO Dataset — Google Magenta (2018)
  9. Regulation (EU) 2016/679, General Data Protection Regulation — European Parliament and Council of the European Union (2016)
  10. Datasheets for Datasets — Timnit Gebru et al. (2021)
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